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Sol Anderson

The Act of Listening, Objects and Noise
W: 

Stefano Catena [ DTP with U. Birmingham]

The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement
W:

Robert Chafer [ DTP]

Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition

Eddie Clijsen [ DTP]

Practical Explorations of Formalised
Approaches to Microtonal Composition

Ross Davidson [ DTP]

Applying an Electroacoustic Approach to the
Soundtrack of Narrative Film
W:  

Katie-Jane Howard

Audience Perception of Digital Music Instruments
in Live Musical Performance

Eva Kára

Writing the Political: Electroacoustic Music
Composition as Ideology

Christina Palandri [ DTP]

Materialising sound-based composition: exploring
multi sensory perception and audience engagement
between tactile and sonic spheres

Samantha Topley  [ DTP]

Craft-Focused Electronic Instrument Building
W:  

Mungo Zhangruibo

Assisting the Development of the Field of EA
Music Studies in China 
W:

Kris Parker

Exploring the Potential and Means for Making
Original Electronic Music to Enrich our Experience
of Historical Silent Film

Matt Rogerson

Sensory Overload: Noise, Mind, Emotion